Brackets_wide.jpg

PHOTO ESSAY

Family Compound—Mark Erickson

The gates of family compounds in Gambia, West Africa: the representation of generations of family history and an identifier of place

DSC_1594.JPG
DSC_1588.JPG
DSC_1586.JPG
DSC_1585.JPG
DSC_1577.JPG
DSC_1575.JPG
DSC_1573.JPG
DSC_1572.JPG
DSC_1571.JPG
DSC_1563.JPG

“The door handle is the handshake of the building.” — Finnish architect Juhani Pallasmaa

 

The doors of family compounds in Gambia, West Africa represent not only generations of family history, but they become an identifier of place. Like a family crest or flag, each custom entrydoor stakes a lot of land. It’s also a unique wayfinding technique, as there are no door numbers or street names. Turn at the orange door or knock twice on the green door with the diamond centrepiece.

 A threshold between public and private space, these doors swing open to allow people and vehicles through. An open door welcomes visitors into the courtyard while the huts inside the compound remain private. The family’s chickens, goats and dogs can also pass freely throughout.

 The punched patterns into sheet metal or ornate pickets painted in different colours are part of each family’s unique commission. Local metalworkers customize the handle, latch and lock system. Each family door sounds different when opening. Each is a memorable expression of the place you’ve just entered. Acting as handshakes, these doors are also remarkable expressions of individual identity while living within close and clustered proximity.

All Images: Courtesy of the artist


Mark Erickson is a designer based in Calgary that is interested in environmental design, focusing on compact living, multi-generational housing, and the crossover between art and architecture.